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Colby Democrats Host U.S. Senate Candidate Graham Platner

As part of the Colby Democrats’ Thursday “Speaker Series,” students gathered in Page Commons for a town hall with U.S. Senate candidate Graham Platner. A Marine and Army veteran who served four tours in Iraq and Afghanistan, Platner now resides in Sullivan, Maine, where he works as an oyster farmer and has been actively involved in local governance. His campaign has drawn national attention, including an endorsement from Senator Bernie Sanders.
Platner started off by discussing healthcare. He credited Veterans Affairs healthcare with giving him the stability to return to his hometown and build a life as an oyster farmer and harbor master. Because he didn’t have to worry about premiums, copays, or medical bankruptcy, he was able to take professional risks and build a small business. That support, he argued, represented the kind of material freedom many Americans lack.
He asked the audience to imagine what rural Maine might look like if everyone had that same security, if creative and hardworking people did not have to stay in jobs they disliked simply to maintain health insurance. “What would Eastern Maine look like?” he asked. “What are the businesses we get to have? What is the art that gets to be created?”
Platner then widened his lens to economic inequality. When he was born in 1984, he noted, there were six birthing centers in eastern Maine. Today, there are two. Meanwhile, he pointed out that the number of billionaires in the United States has grown dramatically since 1990. The country has generated immense wealth, he said, but that wealth has not translated into more security or opportunity for ordinary people. “Something has changed,” he said. In his view, the current system is not malfunctioning but functioning as designed — concentrating time, money, and power in the hands of a small elite while leaving working people with less.
Platner described President Donald Trump as “the symptom of a much deeper rot,” arguing that right-wing populism emerges when economic systems fail working people. The answer, he suggested, is not a return to political norms but a revival of organizing traditions that have historically expanded rights in the United States.
Citing movements ranging from labor organizing to women’s suffrage and civil rights, Platner emphasized that transformative change has never come from asking permission. “Organizing isn’t complicated,” he said. “It’s just incredibly difficult.” Real progress, he argued, requires building coalitions across unions, community groups, and student organizations, not relying solely on established political institutions.
He aligned himself with what he called a “New Deal Democrat” tradition, pointing to former Secretary of Labor Frances Perkins as a model. Perkins and the Roosevelt administration demonstrated that the government could imagine and implement large-scale programs such as Social Security and unemployment insurance.
Platner then sharply criticized what he described as an entrenched political class and singled out Senator Susan Collins, saying she “has to go.” But he cautioned that defeating an incumbent is not enough. Winning office, he argued, must be paired with sustained organizing capable of advancing goals such as universal healthcare, climate action, limits on stock trading by members of Congress, and campaign finance reform. “This is a long-term power-building exercise,” Platner said. A single Senate seat, he added, will not by itself transform the system.
He closed by redefining what he called “freedom.” Rather than a purely rhetorical ideal, he described freedom as something material: the freedom to have time, to build a business, to create art, to raise a family without constant precarity. Politics, in his view, should be measured by whether it expands that freedom for working people.
~ Sophia Ikiri `29
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Where Music Begins: IDEAS in Music Kicks Off Spring with Childhood Theme

For those of you in the Gordon Center on the evening of Feb. 19, you may have noticed the gathering of students and faculty on the second floor. Inside was the opening event of the spring semester for the Inclusion, Diversity, Equity, and Accessibility in Music Organization (IDEAS in Music).
IDEAS in Music (formerly known as the Diversity, Equity, and Inclusion in Music Organization) was started in September 2022 by Director of Jazz Bands and Wind Ensemble Dr. Brendon Wilkins as a discussion group that provides a space for students, faculty, and staff to talk about Diversity, Equity, and Inclusion in music.
In the fall of 2023, IDEAS in Music partnered with the Office of Civic Engagement at Colby College to further expand the reach of the organization into the Waterville community and beyond. Since then, the organization has expanded to incorporate diverse perspectives, establish a student leadership team, and collaborate with Crescendo for a Cause to serve a dual purpose: create a platform for important discussions of diversity, equity, and inclusion through music, and provide music education opportunities in Central Maine.
Thus, the opening event of the spring semester was awaited with bated breaths from faculty and students. The discussion topic centered around Music and Childhood, but it quickly branched out into connected themes. Conversations began with a simple prompt about each individual’s earliest memory of music. For some students, the answer came quickly: a memorable musical performance during their childhood, or the memory of the student’s first music lesson at the ripe age of two. For others, it required more reflection. As students and faculty shared their stories, the room filled not only with nostalgia, but with an awareness of how different those beginnings had been.
The conversation shifted into examining how childhood musical experiences influence confidence and belonging. Some students described highly structured and competitive environments that fostered discipline. Others spoke about informal musical upbringings rooted in community, culture, and exploration that cultivated creativity. These contrasts highlighted and celebrated the diverse experiences of each individual in their music pathway.
The discussion also touched on the effects of music on youth. Abi Tedros `28 highlighted studies showing sustained engagement with music strengthening cognitive skills such as memory and language acquisition, supporting social development through collaboration and ensemble work, and building emotional regulation and resilience. Early exposure to music has also been linked to improved academic performance and increased confidence, especially when children feel supported and encouraged in creative spaces. These findings added weight to the conversation, underscoring that music in childhood is not merely extracurricular, but formative. For the volunteer music teachers in the room, it was a reminder and affirmation of the important work they each dedicated themselves to every week.
As the formal discussion drew to a close, the evening ended on a lighter note with a Kahoot that summarized key themes from the event. Laughter and friendly competition filled the room, but the activity also reinforced how much ground had been covered in just one meeting. Lyon Blomberg `28 said that he was thankful for the “IDEAS in music meetings [placing him] in environments where [he] can openly talk and share [his] love for music.”
Looking ahead, IDEAS in Music continues to build on these conversations. The next event in March will explore Irish music, inviting participants to engage with questions of tradition, cultural transmission, and identity through a new lens. If the opening meeting is any indication, the semester promises thoughtful dialogue, critical reflection, and an ever-expanding understanding of music’s role in shaping lives. Be on the lookout for specific dates at ‘colbyideas’ on Instagram or on ColbyNow!
~ Roy Li `28
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Ski Mountains Near Campus: A Perk of College Life in Maine

From Lost Valley to Sugarloaf, Maine has many ski areas and resorts for various different levels and experiences. That’s one of the advantages of going to college in Maine. Sienna Lightman `28 said, “I think Maine is different. Being in college and being able to go skiing with your friends is so special.” Being only about an hour away from campus, Sugarloaf is a popular pick among students, but many other ski areas in Maine are worth trying out.
Under two hours from campus, Sunday River is a popular choice for students. The resort is home to the Iglu, which is located in the Jordan Bowl at the base of the Jordan 8 for a unique snow igloo and ice lounge experience. You will also likely find Eddy and Betty the Yetis around the slopes, likely taking photos with younger skiers. The resort also offers lots of dining options in case visitors did not pack a lunch, and the Coffee Hound at South Ridge Lodge offers specialty espresso drinks and mini donuts.
Beyond the fun amenities and atmosphere, the resort offers more than a hundred trails with eight interconnected peaks: White Cap, Locke, Barker, Spruce, North Peak, Aurora, Oz, and Jordan. With a total of 19 lifts, 140 trails, and 884 acres, Sunday River has many trails, peaks, and amenities to keep you busy for a fun time.
Lightman elaborates, “I really like skiing at Sunday River because my friend has a house there, so it’s fun to be able to hang out with all my friends and go skiing with them.” While she mentioned that she prefers the trails at Sugarloaf, she clarifies that she likes to ski tree runs at Sunday River more.
For novice skiers, Lost Valley and Pleasant Mountain (formerly Shawnee Peak) are great places to start. With the College’s yearly tradition of renting out the entire Lost Valley ski mountain for a private evening, you have the opportunity to try out skiing for free for a low-stakes experience. As purchasing rentals and securing lessons can sometimes be discouraging, this event provides lessons and rentals to students (keep in mind that the lessons and rentals have limited availability). This ski area has three chairlifts and a “Cub Carpet” for beginners, serving all levels and emphasizing their strong ski school. Being a smaller mountain, Lost Valley is a fun and comfortable ski area to learn to ski and have a good time with friends.
About the same distance from campus as Sunday River, Pleasant Mountain is another ski resort worth your time. This resort is the longest-running ski resort in Maine, and it reports 44 trails and glades, six lifts, and 20 night trails. With magic carpets and slow lifts, Pleasant Mountain is a safe and fun place to learn. The mountain offers ski and snowboard lessons for all levels and is generally known for its welcoming and family-friendly atmosphere. So whether you are drawn to its night skiing, beginner areas, or friendly atmosphere, Pleasant Mountain is another great pick.
No matter where you go, skiing in Maine is a fun time. Lightman concluded by saying, “Growing up being from the South, none of my friends knew how to ski, so I’d always just go skiing with family, which is fun, but being able to ski with friends is much more fun.” She even enjoys the commute, which she spends listening to music with friends.
As ski conditions are currently good in Maine and with the winter months wrapping up soon, now is a good opportunity to take advantage of our proximity to many ski slopes.
~ Haley Hegarty `28
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Women’s Ice Hockey Plays Middlebury Before NESCAC Semi-Finals

After an intense couple of months of competition, Colby’s women’s ice hockey played its final regular-season games at Middlebury College on Feb. 20 and 21. Since November, the Mules have been fiercely competing and are headed to Vermont with 15 wins and 5 losses, hoping to finish strong before entering the NESCAC playoffs.
Stepping onto the ice, the players, including sophomore Brooke Eselunas `28, felt confident. “There [was] a lot of excitement going into this weekend, especially with it being Middlebury, who’s one of our rivals. Last year we swept them, so we [were] obviously looking to do the same, and I think the excitement comes around it being a big weekend [for] the whole league, in terms of standings coming, and knowing that it’s kind of all in our control, like our destiny. We hold that, and we’re able to basically set up our future in the NESCAC and for the rest of the season,” Eselunas said. “Going into Middlebury, it [was] away on their home ice with their fans, and it being their senior weekend, I think that [held] a lot of, like, weight and excitement for all of us, and trying to just get over that hump that we’ve been talking about all season.”
Leading up to this past Friday, Megan Martodam `26 recognized several moments from the season that made the team feel confident and ready to compete. “Sweeping Amherst in their rink was a big one for us. We haven’t won in that building in my four years that I’ve been here. So that was definitely a big weekend for us. And also, we’ve been really good on the road this year, playing away,” Martodam said.
In their first game against the Panthers, the Mules ultimately lost with a score of 3–2, despite highlighting moments like goals scored by Martodam and Molly Lefebvre `27. The next day, however, the team turned the scoreboard around, beating Middlebury 3–1. One goal was scored by Lefebvre in the first period and two by Sophia Kennedy `26 in the third period.
“I think [some of the challenges on] Friday were the bus legs. We left at 8:30 a.m., and we didn’t get [to Middlebury] till like 4:00 p.m., so we came out very slow,” Kennedy said. “But we turned it around Friday by preparing much better, getting a good night’s sleep, eating, cooling, rolling out, Norma, teching, all of that, and then also the communication from Friday to Saturday improved so much. We connected so much more… on Saturday than we did on Friday.”
With the NESCAC semifinals approaching on Saturday, the team is looking forward to competing and hoping to move on to the next round. They plan to keep their heads level and return to the key morals they have been practicing all season.
“We have four main values on our team, which are excellence, team-first, grit, and growth. We focus a lot on growth. So getting better with every practice and every game. We strive to get 1 percent better every day, and just bring everything you can that day to make the team better, even if you’re not having the greatest day,” Kennedy said. “I think if you look at back at our games against Bowdoin, which [was] our very first game, we lost … and then coming throughout the season, you can see we have ups and downs, but by end of this season, we’ve really come together as a team, just grown overall, and learned [about] each other and what works.”
~ Isabella Boggs `29
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Team USA Battles Tough Competition in Milan

As the 2026 Winter Olympic Games drew to a close, Team USA stood poised to finish near the top of the medal table, reflecting two weeks of strong competition that was not without its share of disappointment.
To open the competition, Breezy Johnson won Team USA’s first gold medal with her victory in the Women’s Downhill skiing competition. Later that week, Johnson and teammate Mikaela Shiffrin, the overwhelming favorites in the Women’s Team Combined, would miss the podium following an uncharacteristically poor performance from Shiffrin, widely considered to be the greatest alpine skier in history. Shiffrin seized on her chance to redeem herself, however, winning the gold in Slalom.
On the ice, the U.S. Figure Skating Team took home the team title early in the competition, but it was struck by challenges in the individual competitions. Men’s competitor Ilia Malinin, the only skater in history to complete a quadruple axel jump and the heavy favorite to take home gold, fell twice in his free skate, losing out on the podium entirely. In the Women’s Individual, Alysa Liu took home the gold, becoming the first U.S. women’s skater to do so since 2006.
At the long-track speedskating stadium, Jordan Stolz won two golds in the 500 and 1000 meters, topping off his Games with a silver in the 1500. On the sliding course, the US Women took home gold and bronze in the monobob competition, with a tremendous winning performance by Elena Meyers-Taylor in her fifth Olympics. Meyers-Taylor, a 41-year-old mother of two, had won three silver and two bronze medals in her prior appearances, but she put together a heroic final run to clinch her first gold. Kaillie Humphries, who took home bronze in the same event, has won two golds in the two-woman bobsled.
On the cross-country skiing circuit, the U.S. Men’s team won two silver medals, with Ben Ogden in the sprint, and the combination of Ogden and teammate Gus Schumaker in the team sprint. Both are teammates of Jack Young `25, who was also named to the cross-country Olympic Team. The medals are the first by U.S. men in any cross-country event since 1976.
The two most publicized golds, however, were won on the hockey rink, where the U.S. teams swept the competition, with the men’s team winning their first gold since the “Miracle on Ice” in 1980. The women, who were the favorites to win entering the tournament, faced Canada in the gold medal game after defeating them 5–0 in the group stage. Trailing 1–0 with two minutes left, Team USA pulled their goalie before scoring off a deflection to send the game to sudden-death overtime. In overtime, Megan Keller split the Canadian defensive pair before backhanding the puck into the net for the win. On the men’s side, the two finalist teams were the same, this time with Canada as the expected winners. Matt Boldy put the US ahead 1–0, but Canada drew even and forced overtime. As in the women’s game, Jack Hughes broke through the Canadian defense, scoring the gold medal–winning goal.
Following the conclusion of the Games, attention will turn back to the U.S., where Los Angeles is preparing to host the Summer Olympics in 2028.
~ Matt Quealy `27
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Mental Health on Mayflower Hill
We hear about mental health a lot.
From the very beginning of college, we get assured that help is all around: counseling, online spaces, emergency contacts, and so on. Yet, a month into the semester, when you’re overwhelmed with academics, homesickness, and the absence of private space, you quickly learn that you have to wait two weeks until the counselor is able to devote forty minutes to listen to you.
The problem isn’t specific to Colby at all. The shortage of psychiatrists and counselors is nationwide, and so is unprecedented demand for their services, especially among college students. As of 2025, a Healthy Minds study found that 37 percent of college students reported experiencing moderate to severe depressive symptoms, and 18 percent reported severe depression. This is a little bit better than during the pandemic crisis peak, but it’s still very high.
This problem doesn’t have a specific cause. However, according to the 2024 Student Voice annual survey, the leading responses to the question “What do you think are the biggest drivers of what’s been called the college mental health crisis or high demand for student mental health services in recent years?” were “The need to balance personal, economic, and family duties with schoolwork” (42 percent); “Increased academic stress” (37 percent); and “Prevalence of social media” (33 percent). Another notable response was “Decreased socialization skills due to the pandemic” (22 percent).
A lot of those factors, like the level of academic workload, or post-pandemic socialization decline, are unchangeable, and the only option is to deal with the consequences and support those affected. But many of the factors are changeable, and our community can and should focus on eradicating them to make the campus more inclusive, happy, and healthy.
Sleep deprivation is among the most common and most dangerous factors affecting college students’ mental health. One study found that 72 percent of students with moderate sleep problems also reported mental health problems, compared to only 16 percent of students with minimal sleep problems.
Studies also show that emotional flexibility is an important predictor of mental health problems and their severity. The College can significantly improve students’ well-being by promoting a healthy lifestyle. We can start from something as simple as making quiet hours actually quiet.
The College can also invest in the development of wellness and coping skills in students. For example, the Colby Passport program, which already exists, can be modified to include more wellness seminars and workshops designed specifically for the first-years, instead of having freshmen go to random events just to fulfill the requirement.
The LinC program can also be extended, since a lot of students couldn’t find a convenient time or sign up at all. Instead of hiring additional faculty for this purpose, current staff can be used to train upperclassmen and supervise them as they share their experience with freshmen or even lead the sessions. This peer-exchange will foster connections and mentorship relationships among different class years. This is feasible because those programs are already established and may be modified to become more efficient.
The approach to mental health should be comprehensive and target all students and a variety of possible issues. There is more to mental health than depression or anxiety. There are dozens of miscellaneous issues people are battling with every day, and even something as little as acknowledging their struggles and making our learning environments more accessible can have a crucial impact. This includes expanding learning accommodations and educating faculty on topics of mental health. For example, at the University of North Carolina, faculty and staff receive basic training to spot sudden changes in behaviour and/or performance and refer those students to a counseling center.
In addition to counseling services being understaffed, there’s a disparity between different socioeconomic groups in average rates of mental health problems and average levels of access to counseling. Research shows that using online diagnostic services can reduce this gap, and while the College already provides access to TalkSpace, it can also extend online possibilities for requesting in-person counseling. One student shares their experience: “I’d prefer to have an online way of signing up for an appointment without having to call or show up in person.”
Perhaps the most feasible steps are those on an individual level.
Even though the actions of a particular individual may seem small, they can have a big impact, in both positive and negative ways, especially if they influence others. Something as simple as talking to one of your peers may be a good start. Studies show that the post-pandemic world is extremely lonely: as of 2025, a study led by Daniel Eisenberg found that 52 percent of college students reported high levels of loneliness.
We can make the world slightly less lonely by choosing human–human interactions, which is especially crucial during the age of AI, when the need to interact with other people (in what is called connective labor) is declining.
I also suggest that you sleep more and respect others’ right to do so by obeying quiet hours. And most importantly, reach out for help if needed, whether it’s you or somebody you’re concerned about. Social support plays a pivotal role in managing stress, as a 2025 study led by Li Ruihua states.
Mental health issues are not something we can get rid of completely, but we should all do our best to limit the damage they cause and make the world a better place for those fighting their silent battles. Everyone—administration, faculty, and students—is a part of the Colby College community and has the power to make this place a little better.
~ Rinat Ilyussizov `29
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The AI We Use and the Literacy We’re Missing
If you ask a Colby College student whether they use ChatGPT, you’ll usually get one of three responses:
- an immediate “Of course not” (delivered a little too quickly),
- a polite “only for brainstorming,” or
- a quiet nod, as if admitting to a minor crime.
The irony is that nearly everyone is using AI, and most of us are using it far more confidently than we probably should. That’s exactly why the College needs campus-wide AI literacy: not because students are doing something wrong, but because we’re navigating a technology we were never actually taught to understand.
ChatGPT didn’t arrive slowly. It landed on campus the way a Maine winter does—suddenly, and encountering wildly different levels of preparedness. Within months, AI became part of job applications, internship tasks, research projects, and the daily academic shortcuts that no one ever admits out loud. Yet students’ understanding of AI still depends almost entirely on their major, their professors, and whether someone happened to forward them an email about a workshop. Some students get structured exposure, but many never receive any formal instruction at all. Most of us end up improvising.
Improvisation works fine when you’re deciding how much dining hall food to risk in a single sitting. It’s worse when employers now assume new graduates already know how to use AI responsibly, efficiently, and with more nuance than “paste the prompt and hope for the best.” Generative AI feels intuitive. You type, it answers—but that illusion of simplicity hides the real complexity. Writing an email with AI is not the same as recognizing when it’s fabricating information, spotting subtle bias in its output, avoiding unsafe data practices, or evaluating whether the answer actually makes sense. Without guidance, students end up learning through trial, error, and the occasional moment of panic when AI confidently invents something that absolutely never happened.
The heart of the issue is that AI literacy at the College is uneven. Students in computational fields tend to encounter AI as part of their coursework, while students in the humanities or arts might graduate without ever discussing how AI intersects with their discipline at all. And even within departments, faculty vary widely in how they handle generative tools. One professor might encourage thoughtful experimentation; another might ban AI entirely; another might permit certain uses but never explain the limits. When norms shift from one classroom to the next, students are left guessing what responsible use actually looks like or avoiding the technology altogether out of fear of messing up.
The College isn’t behind compared to peer institutions, but we are at a transition point. The Davis Institute for AI is the first cross-disciplinary AI institute at a liberal arts college in the country, and it runs workshops, demos, discussions, and faculty collaborations that many institutions would envy. But even with this strong foundation, the gap remains between the Institute’s expertise and the everyday reality of student learning. Students who already feel comfortable with technology show up to events; students who don’t often never find their way in. And while some classes incorporate AI meaningfully, others understandably have no framework yet.
Strengthening AI literacy at the College does not require reinventing the curriculum. It requires weaving AI into the places where students already learn. One practical approach is to integrate short, discipline-specific AI modules into existing courses. A sociology class might explore how AI interprets qualitative data. A biology class might analyze AI in protein modeling. An English class might critique AI-generated interpretations. Students would begin seeing AI not as a mysterious external force, but as a tool that intersects differently with every field.
Clarity is equally important. Right now, students navigate a maze of mixed messages about what counts as acceptable use. A simple campus-wide set of guidelines would help everyone understand when AI enhances learning and when it compromises it. Students shouldn’t have to guess whether something is allowed or whether a model is safe to put personal or confidential information into. Guidance makes responsible use possible.
And, of course, none of this works without faculty support. Instructors can’t be expected to guide students through AI if they haven’t been given the time or training to navigate it themselves. The College already has promising structures: FIT Fellowships where faculty rethink course design with generative AI in mind, Haynesville support for research, informal faculty discussions, and exposure to privacy-preserving tools like NotebookLM. Expanding these resources into flexible, structured training would help faculty integrate AI at a pace that respects their existing workloads while still pushing the curriculum forward.
The first step, then, is supporting instructors. When faculty feel prepared, everything else becomes possible. Students receive clearer expectations, modules become easier to adopt, and the broader campus culture shifts from uncertainty to confidence.
Preparing students for an AI-mediated world is not a departure from the College’s liberal arts mission, but the next logical step in it. AI is now part of research, communication, creativity, policy, environmental work, data analysis, and nearly every field our graduates enter. A poet, a physicist, and a political scientist will not use AI in the same way, but each deserves the literacy to understand its possibilities and its limitations.
Everyone uses AI. It’s time we learned how to use it well.
~ Aaminah Ali `29
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A Conversation with Troy Jackson

The Colby Democrats opened their five-week speaker series with Maine gubernatorial candidate Troy Jackson, drawing students and community members into a conversation about labor, political power, and what he described as a system that no longer works for everyday Mainers. The series, which will feature candidates from the state’s governor and Senate primaries, aims to give students the opportunity to hear directly from those seeking office during what organizers called one of Maine’s most significant election cycles in recent history.
Jackson, the current President of the Maine Senate and a fifth-generation logger from Allagash, framed his campaign not around partisan identity but around a lifetime of confrontation with economic inequality. As a middle schooler, he accompanied his father to a logging strike in northern Maine, where he watched a landowner warn workers that if they refused reduced pay, they would be replaced by Canadian labor. The moment, he said, exposed him to the realities of power and inequality. “It was the first time that I saw somebody with power show people that they didn’t matter,” Jackson said. That experience, he argued, shaped his understanding of how political and economic systems can marginalize working people.
After graduating high school, Jackson entered the logging industry himself. He described years spent chasing work across the state, often gone for days at a time without reliable communication with his family. By the late 1990s, Maine loggers were struggling as exchange rates shifted and Canadian competition intensified. When elected officials declined to meet with workers seeking relief, Jackson joined a small group of loggers in blockading the Canadian border in 1998 to demand that their concerns be taken seriously.
The blockade led to arrests and became a turning point. Jackson said it forced him to reconsider his belief that the government, if approached through proper channels, would be there for people. “Government doesn’t work the way that I always saw it work,” he said. In his view, political systems respond primarily to those who maintain a constant presence in Augusta and Washington, those with influence and financial power.
That realization led him to run for the Maine House of Representatives. He later moved to the State Senate and eventually became Senate President. During his tenure, Democrats expanded reproductive rights protections, enacted universal school meals, invested in childcare, and strengthened collective bargaining laws. Jackson cited these measures as evidence that progressive policy can materially improve lives.
Yet he argued that many efforts aimed at protecting working-class Mainers have been blocked or vetoed under pressure from powerful interests. He pointed to bills addressing prescription drug costs, aerial herbicide spraying, nondisclosure agreements in harassment cases, and binding arbitration as examples of legislation he believes was derailed despite legislative support. For Jackson, these setbacks reinforce his argument that Maine needs new leadership in the Blaine House.
He acknowledged that there are other candidates in the race, but suggested they would preserve the status quo rather than disrupt it. In his view, maintaining existing structures means the same dynamics will continue. “I want to upset the system,” he said. “It doesn’t work for us. I know damn well because I’ve been there for 20 years and I’ve watched it.” He closed by adding, “I’d love to have your support.”
~ Sophia Ikiri `29
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Bad Bunny’s Super Bowl Halftime Show: The Complicated Political Response Explained

Last week, the Seattle Seahawks defeated the New England Patriots in Super Bowl LX. But, their rivalry was not the only feud of the night — in fact, it likely wasn’t even the most contentious.
Bad Bunny delivered a Halftime Show turned political controversy: a production praised by Democrats as a unifying and cultural celebration, while condemned by Republicans — including Florida U.S. House of Representative Randy Fine — who dubbed it “disgusting” and “illegal.”
In a post on X, Fine took issue with Bad Bunny’s lyrics, arguing the crude themes in his songs justified legal action by Brendan Carr’s Federal Communications Commission (FCC). Fine maintained that if Bad Bunny’s songs were in English, the broadcast would have been shut down. Fine’s comments are particularly sensitive considering they are in relation to a show dense with cultural symbolism amid a divisive political climate.
Bad Bunny’s performance was just a week after the musician won the Album of the Year Grammy for DeBÍ TiRAR MáS FOToS, and declared “ICE out” in his acceptance speech. Though his halftime performance did not call out forced removals as explicitly as at the Grammy’s, the singer emphasized national unity, including a billboard displayed at the end of his act proclaiming, “The only thing stronger than hate is love.”
The majority of Bad Bunny’s show was an allusion to his Puerto Rican heritage. The set design included light poles, an emblem for Puerto Rico’s history of electricity problems. As Bad Bunny stood on top of the light posts, he sang “El Apagón,” which translates to “The Blackout.” The track addresses post-Hurricane Maria difficulties and administrative deception, issues which were only further complicated by the island’s economic and governmental ties to the United States. Puerto Rico has a complex arrangement with the States. As a U.S. territory, Puerto Rico and its citizens have an elaborate agreement in terms of rights (or the lack thereof), the extent to which they are independent and free, and their accompanying legal obligations to the United States. Overall, the light-post moment was an unmistakable assertion of Puerto Rico’s history and a simultaneous declaration of Latino Pride.
Bad Bunny concluded his performance with a colorful display of the flags of each autonomous country within the Americas, followed by expressly stating each nation’s name, including the USA, and in a powerful, final affirmation, Puerto Rico.
Viewers anticipated before the Super Bowl that Bad Bunny would include significant ethnic and cultural symbolism in his show, as his songs often address controversial topics that serve as fuel for the acute political divide in the United States. Despite these expectations, responses to the Halftime Show were prevalent and intense. Recently, the FCC responded to Representative Fine’s complaint and determined Bad Bunny’s performance did not warrant a fine. Profanity regulations were not violated, and explicit words were either changed or removed from the broadcast, according to reporting by MSN.
Though public support for the halftime show remains split, students at Colby are commending Bad Bunny for his messaging.
“I loved the performance,” says Lena Marinell `28. “I thought it included many of the themes the Super Bowl wanted. It was fun, upbeat, and it dealt with subjects that would’ve been unfortunate to ignore given the time.”
Maya Rogers `29 responded similarly. When asked whether she thought the halftime show, and sporting events more generally, should avoid political content, she said, “I think partisan topics definitely should be included. It would feel disingenuous to ignore our current times.”
Though some students took issue with the halftime show, their critiques were not in regards to Bad Bunny’s messaging.
“It felt a little rushed,” Ben Bognon `29 said. Bognon thought certain parts of the performance were unnecessary, citing celebrity cameos like Alix Earle.
Bad Bunny’s Super Bowl LX performance aspired to mend the wounds of a politically strained America — or maybe more simply, to augment awareness. The show re-centered the national focus, incorporating Puerto Rico and other Latin American nations into the conversation of equality, human rights, and peaceful action. Whether the show succeeded in unifying, or instead sowed greater divide, depends on who you ask.
~ Maya Corrie `29
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Four Weeks on Skid Row: The Student-Led Drive Behind Little Shop of Horrors

This past January, with the help of the Lyons Lab, Colby College put on a musical for the first time in over 10 years. Little Shop of Horrors, a horror comedy, follows Seymour Krelborn, a florist working on Skid Row, who raises an “exotic” plant that thrives off of human flesh and blood. The plant, Audrey II, provides Krelborn with fame, fortune, and love in return for human sacrifice.
Getting this student-run show up and running was not an easy feat. Maura McGraw `26, the producer and actress who played Audrey in the show, had to jump through many hoops before this show became a reality. While it was a difficult process, McGraw was proud of the end product and the effort and commitment that each student showed throughout the process.
The arduous process of planning a musical production began taking shape in February of 2025, when McGraw talked about the possibility of working together with Elizabeth (Liz) Echt `28, an experienced director who has spent many summers on theatre productions. When McGraw sought the mentorship of Annie Kloppenberg, a professor of Performance, Theater & Dance at Colby, solid plans began taking form.
Before this show, the only musicals that were put on at Colby were done by clubs like Powder and Wig and Broadway Musical Revue (BMR). However, as part of an Independent Study, Little Shop of Horrors came to life. After landing on JanPlan and receiving funding from the Lyons Lab, Little Shop of Horrors was ready for production.
It usually takes about six to eight weeks of intense rehearsing before musicals are ready for premiere. This JanPlan however, over 40 students came together to put this show together in under four weeks. Echt worked many hours in the Gordon Center for Creative and Performing Arts, blocking scenes and working with students on songs. Additionally, Gabby Vogel `26, who worked as the choreographer for the show, put together intricate and beautiful choreography performed by five featured dancers. The actors and dancers in the show rehearsed three to four hours a day after their JanPlan classes, and many students stayed after hours creating extravagant set pieces and finding costume pieces for the performance.
Both McGraw and Echt were extremely happy with how the show turned out and were thankful for the opportunity to put on such a grand performance in such little time. The musical was sold out for all three shows, and many students raved about the amazing performance. Students like Penelope Arredondo `29 who watched the performance stated: “I would’ve guessed it’d take a whole semester to put [Little Shop of Horrors] on! This whipped-up show speaks volumes about the Colby community. So much passion, so much teamwork and time, and so much love.”
McGraw and Echt believe, just like the audience, that this musical was an amazing way to showcase the talent, ability, and drive that our Colby community has to put on performances like this. As Colby continues to grow its performing arts with the new Gordon Center, students are optimistic about the future of musical theatrics on campus. Little Shop of Horrors might just be the turning point Colby needed to begin funding even more shows as a department.
~ Catherine Galvez `29
