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Mental Health on Mayflower Hill
We hear about mental health a lot.
From the very beginning of college, we get assured that help is all around: counseling, online spaces, emergency contacts, and so on. Yet, a month into the semester, when you’re overwhelmed with academics, homesickness, and the absence of private space, you quickly learn that you have to wait two weeks until the counselor is able to devote forty minutes to listen to you.
The problem isn’t specific to Colby at all. The shortage of psychiatrists and counselors is nationwide, and so is unprecedented demand for their services, especially among college students. As of 2025, a Healthy Minds study found that 37 percent of college students reported experiencing moderate to severe depressive symptoms, and 18 percent reported severe depression. This is a little bit better than during the pandemic crisis peak, but it’s still very high.
This problem doesn’t have a specific cause. However, according to the 2024 Student Voice annual survey, the leading responses to the question “What do you think are the biggest drivers of what’s been called the college mental health crisis or high demand for student mental health services in recent years?” were “The need to balance personal, economic, and family duties with schoolwork” (42 percent); “Increased academic stress” (37 percent); and “Prevalence of social media” (33 percent). Another notable response was “Decreased socialization skills due to the pandemic” (22 percent).
A lot of those factors, like the level of academic workload, or post-pandemic socialization decline, are unchangeable, and the only option is to deal with the consequences and support those affected. But many of the factors are changeable, and our community can and should focus on eradicating them to make the campus more inclusive, happy, and healthy.
Sleep deprivation is among the most common and most dangerous factors affecting college students’ mental health. One study found that 72 percent of students with moderate sleep problems also reported mental health problems, compared to only 16 percent of students with minimal sleep problems.
Studies also show that emotional flexibility is an important predictor of mental health problems and their severity. The College can significantly improve students’ well-being by promoting a healthy lifestyle. We can start from something as simple as making quiet hours actually quiet.
The College can also invest in the development of wellness and coping skills in students. For example, the Colby Passport program, which already exists, can be modified to include more wellness seminars and workshops designed specifically for the first-years, instead of having freshmen go to random events just to fulfill the requirement.
The LinC program can also be extended, since a lot of students couldn’t find a convenient time or sign up at all. Instead of hiring additional faculty for this purpose, current staff can be used to train upperclassmen and supervise them as they share their experience with freshmen or even lead the sessions. This peer-exchange will foster connections and mentorship relationships among different class years. This is feasible because those programs are already established and may be modified to become more efficient.
The approach to mental health should be comprehensive and target all students and a variety of possible issues. There is more to mental health than depression or anxiety. There are dozens of miscellaneous issues people are battling with every day, and even something as little as acknowledging their struggles and making our learning environments more accessible can have a crucial impact. This includes expanding learning accommodations and educating faculty on topics of mental health. For example, at the University of North Carolina, faculty and staff receive basic training to spot sudden changes in behaviour and/or performance and refer those students to a counseling center.
In addition to counseling services being understaffed, there’s a disparity between different socioeconomic groups in average rates of mental health problems and average levels of access to counseling. Research shows that using online diagnostic services can reduce this gap, and while the College already provides access to TalkSpace, it can also extend online possibilities for requesting in-person counseling. One student shares their experience: “I’d prefer to have an online way of signing up for an appointment without having to call or show up in person.”
Perhaps the most feasible steps are those on an individual level.
Even though the actions of a particular individual may seem small, they can have a big impact, in both positive and negative ways, especially if they influence others. Something as simple as talking to one of your peers may be a good start. Studies show that the post-pandemic world is extremely lonely: as of 2025, a study led by Daniel Eisenberg found that 52 percent of college students reported high levels of loneliness.
We can make the world slightly less lonely by choosing human–human interactions, which is especially crucial during the age of AI, when the need to interact with other people (in what is called connective labor) is declining.
I also suggest that you sleep more and respect others’ right to do so by obeying quiet hours. And most importantly, reach out for help if needed, whether it’s you or somebody you’re concerned about. Social support plays a pivotal role in managing stress, as a 2025 study led by Li Ruihua states.
Mental health issues are not something we can get rid of completely, but we should all do our best to limit the damage they cause and make the world a better place for those fighting their silent battles. Everyone—administration, faculty, and students—is a part of the Colby College community and has the power to make this place a little better.
~ Rinat Ilyussizov `29
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The AI We Use and the Literacy We’re Missing
If you ask a Colby College student whether they use ChatGPT, you’ll usually get one of three responses:
- an immediate “Of course not” (delivered a little too quickly),
- a polite “only for brainstorming,” or
- a quiet nod, as if admitting to a minor crime.
The irony is that nearly everyone is using AI, and most of us are using it far more confidently than we probably should. That’s exactly why the College needs campus-wide AI literacy: not because students are doing something wrong, but because we’re navigating a technology we were never actually taught to understand.
ChatGPT didn’t arrive slowly. It landed on campus the way a Maine winter does—suddenly, and encountering wildly different levels of preparedness. Within months, AI became part of job applications, internship tasks, research projects, and the daily academic shortcuts that no one ever admits out loud. Yet students’ understanding of AI still depends almost entirely on their major, their professors, and whether someone happened to forward them an email about a workshop. Some students get structured exposure, but many never receive any formal instruction at all. Most of us end up improvising.
Improvisation works fine when you’re deciding how much dining hall food to risk in a single sitting. It’s worse when employers now assume new graduates already know how to use AI responsibly, efficiently, and with more nuance than “paste the prompt and hope for the best.” Generative AI feels intuitive. You type, it answers—but that illusion of simplicity hides the real complexity. Writing an email with AI is not the same as recognizing when it’s fabricating information, spotting subtle bias in its output, avoiding unsafe data practices, or evaluating whether the answer actually makes sense. Without guidance, students end up learning through trial, error, and the occasional moment of panic when AI confidently invents something that absolutely never happened.
The heart of the issue is that AI literacy at the College is uneven. Students in computational fields tend to encounter AI as part of their coursework, while students in the humanities or arts might graduate without ever discussing how AI intersects with their discipline at all. And even within departments, faculty vary widely in how they handle generative tools. One professor might encourage thoughtful experimentation; another might ban AI entirely; another might permit certain uses but never explain the limits. When norms shift from one classroom to the next, students are left guessing what responsible use actually looks like or avoiding the technology altogether out of fear of messing up.
The College isn’t behind compared to peer institutions, but we are at a transition point. The Davis Institute for AI is the first cross-disciplinary AI institute at a liberal arts college in the country, and it runs workshops, demos, discussions, and faculty collaborations that many institutions would envy. But even with this strong foundation, the gap remains between the Institute’s expertise and the everyday reality of student learning. Students who already feel comfortable with technology show up to events; students who don’t often never find their way in. And while some classes incorporate AI meaningfully, others understandably have no framework yet.
Strengthening AI literacy at the College does not require reinventing the curriculum. It requires weaving AI into the places where students already learn. One practical approach is to integrate short, discipline-specific AI modules into existing courses. A sociology class might explore how AI interprets qualitative data. A biology class might analyze AI in protein modeling. An English class might critique AI-generated interpretations. Students would begin seeing AI not as a mysterious external force, but as a tool that intersects differently with every field.
Clarity is equally important. Right now, students navigate a maze of mixed messages about what counts as acceptable use. A simple campus-wide set of guidelines would help everyone understand when AI enhances learning and when it compromises it. Students shouldn’t have to guess whether something is allowed or whether a model is safe to put personal or confidential information into. Guidance makes responsible use possible.
And, of course, none of this works without faculty support. Instructors can’t be expected to guide students through AI if they haven’t been given the time or training to navigate it themselves. The College already has promising structures: FIT Fellowships where faculty rethink course design with generative AI in mind, Haynesville support for research, informal faculty discussions, and exposure to privacy-preserving tools like NotebookLM. Expanding these resources into flexible, structured training would help faculty integrate AI at a pace that respects their existing workloads while still pushing the curriculum forward.
The first step, then, is supporting instructors. When faculty feel prepared, everything else becomes possible. Students receive clearer expectations, modules become easier to adopt, and the broader campus culture shifts from uncertainty to confidence.
Preparing students for an AI-mediated world is not a departure from the College’s liberal arts mission, but the next logical step in it. AI is now part of research, communication, creativity, policy, environmental work, data analysis, and nearly every field our graduates enter. A poet, a physicist, and a political scientist will not use AI in the same way, but each deserves the literacy to understand its possibilities and its limitations.
Everyone uses AI. It’s time we learned how to use it well.
~ Aaminah Ali `29
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A Conversation with Troy Jackson

The Colby Democrats opened their five-week speaker series with Maine gubernatorial candidate Troy Jackson, drawing students and community members into a conversation about labor, political power, and what he described as a system that no longer works for everyday Mainers. The series, which will feature candidates from the state’s governor and Senate primaries, aims to give students the opportunity to hear directly from those seeking office during what organizers called one of Maine’s most significant election cycles in recent history.
Jackson, the current President of the Maine Senate and a fifth-generation logger from Allagash, framed his campaign not around partisan identity but around a lifetime of confrontation with economic inequality. As a middle schooler, he accompanied his father to a logging strike in northern Maine, where he watched a landowner warn workers that if they refused reduced pay, they would be replaced by Canadian labor. The moment, he said, exposed him to the realities of power and inequality. “It was the first time that I saw somebody with power show people that they didn’t matter,” Jackson said. That experience, he argued, shaped his understanding of how political and economic systems can marginalize working people.
After graduating high school, Jackson entered the logging industry himself. He described years spent chasing work across the state, often gone for days at a time without reliable communication with his family. By the late 1990s, Maine loggers were struggling as exchange rates shifted and Canadian competition intensified. When elected officials declined to meet with workers seeking relief, Jackson joined a small group of loggers in blockading the Canadian border in 1998 to demand that their concerns be taken seriously.
The blockade led to arrests and became a turning point. Jackson said it forced him to reconsider his belief that the government, if approached through proper channels, would be there for people. “Government doesn’t work the way that I always saw it work,” he said. In his view, political systems respond primarily to those who maintain a constant presence in Augusta and Washington, those with influence and financial power.
That realization led him to run for the Maine House of Representatives. He later moved to the State Senate and eventually became Senate President. During his tenure, Democrats expanded reproductive rights protections, enacted universal school meals, invested in childcare, and strengthened collective bargaining laws. Jackson cited these measures as evidence that progressive policy can materially improve lives.
Yet he argued that many efforts aimed at protecting working-class Mainers have been blocked or vetoed under pressure from powerful interests. He pointed to bills addressing prescription drug costs, aerial herbicide spraying, nondisclosure agreements in harassment cases, and binding arbitration as examples of legislation he believes was derailed despite legislative support. For Jackson, these setbacks reinforce his argument that Maine needs new leadership in the Blaine House.
He acknowledged that there are other candidates in the race, but suggested they would preserve the status quo rather than disrupt it. In his view, maintaining existing structures means the same dynamics will continue. “I want to upset the system,” he said. “It doesn’t work for us. I know damn well because I’ve been there for 20 years and I’ve watched it.” He closed by adding, “I’d love to have your support.”
~ Sophia Ikiri `29
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Bad Bunny’s Super Bowl Halftime Show: The Complicated Political Response Explained

Last week, the Seattle Seahawks defeated the New England Patriots in Super Bowl LX. But, their rivalry was not the only feud of the night — in fact, it likely wasn’t even the most contentious.
Bad Bunny delivered a Halftime Show turned political controversy: a production praised by Democrats as a unifying and cultural celebration, while condemned by Republicans — including Florida U.S. House of Representative Randy Fine — who dubbed it “disgusting” and “illegal.”
In a post on X, Fine took issue with Bad Bunny’s lyrics, arguing the crude themes in his songs justified legal action by Brendan Carr’s Federal Communications Commission (FCC). Fine maintained that if Bad Bunny’s songs were in English, the broadcast would have been shut down. Fine’s comments are particularly sensitive considering they are in relation to a show dense with cultural symbolism amid a divisive political climate.
Bad Bunny’s performance was just a week after the musician won the Album of the Year Grammy for DeBÍ TiRAR MáS FOToS, and declared “ICE out” in his acceptance speech. Though his halftime performance did not call out forced removals as explicitly as at the Grammy’s, the singer emphasized national unity, including a billboard displayed at the end of his act proclaiming, “The only thing stronger than hate is love.”
The majority of Bad Bunny’s show was an allusion to his Puerto Rican heritage. The set design included light poles, an emblem for Puerto Rico’s history of electricity problems. As Bad Bunny stood on top of the light posts, he sang “El Apagón,” which translates to “The Blackout.” The track addresses post-Hurricane Maria difficulties and administrative deception, issues which were only further complicated by the island’s economic and governmental ties to the United States. Puerto Rico has a complex arrangement with the States. As a U.S. territory, Puerto Rico and its citizens have an elaborate agreement in terms of rights (or the lack thereof), the extent to which they are independent and free, and their accompanying legal obligations to the United States. Overall, the light-post moment was an unmistakable assertion of Puerto Rico’s history and a simultaneous declaration of Latino Pride.
Bad Bunny concluded his performance with a colorful display of the flags of each autonomous country within the Americas, followed by expressly stating each nation’s name, including the USA, and in a powerful, final affirmation, Puerto Rico.
Viewers anticipated before the Super Bowl that Bad Bunny would include significant ethnic and cultural symbolism in his show, as his songs often address controversial topics that serve as fuel for the acute political divide in the United States. Despite these expectations, responses to the Halftime Show were prevalent and intense. Recently, the FCC responded to Representative Fine’s complaint and determined Bad Bunny’s performance did not warrant a fine. Profanity regulations were not violated, and explicit words were either changed or removed from the broadcast, according to reporting by MSN.
Though public support for the halftime show remains split, students at Colby are commending Bad Bunny for his messaging.
“I loved the performance,” says Lena Marinell `28. “I thought it included many of the themes the Super Bowl wanted. It was fun, upbeat, and it dealt with subjects that would’ve been unfortunate to ignore given the time.”
Maya Rogers `29 responded similarly. When asked whether she thought the halftime show, and sporting events more generally, should avoid political content, she said, “I think partisan topics definitely should be included. It would feel disingenuous to ignore our current times.”
Though some students took issue with the halftime show, their critiques were not in regards to Bad Bunny’s messaging.
“It felt a little rushed,” Ben Bognon `29 said. Bognon thought certain parts of the performance were unnecessary, citing celebrity cameos like Alix Earle.
Bad Bunny’s Super Bowl LX performance aspired to mend the wounds of a politically strained America — or maybe more simply, to augment awareness. The show re-centered the national focus, incorporating Puerto Rico and other Latin American nations into the conversation of equality, human rights, and peaceful action. Whether the show succeeded in unifying, or instead sowed greater divide, depends on who you ask.
~ Maya Corrie `29
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Four Weeks on Skid Row: The Student-Led Drive Behind Little Shop of Horrors

This past January, with the help of the Lyons Lab, Colby College put on a musical for the first time in over 10 years. Little Shop of Horrors, a horror comedy, follows Seymour Krelborn, a florist working on Skid Row, who raises an “exotic” plant that thrives off of human flesh and blood. The plant, Audrey II, provides Krelborn with fame, fortune, and love in return for human sacrifice.
Getting this student-run show up and running was not an easy feat. Maura McGraw `26, the producer and actress who played Audrey in the show, had to jump through many hoops before this show became a reality. While it was a difficult process, McGraw was proud of the end product and the effort and commitment that each student showed throughout the process.
The arduous process of planning a musical production began taking shape in February of 2025, when McGraw talked about the possibility of working together with Elizabeth (Liz) Echt `28, an experienced director who has spent many summers on theatre productions. When McGraw sought the mentorship of Annie Kloppenberg, a professor of Performance, Theater & Dance at Colby, solid plans began taking form.
Before this show, the only musicals that were put on at Colby were done by clubs like Powder and Wig and Broadway Musical Revue (BMR). However, as part of an Independent Study, Little Shop of Horrors came to life. After landing on JanPlan and receiving funding from the Lyons Lab, Little Shop of Horrors was ready for production.
It usually takes about six to eight weeks of intense rehearsing before musicals are ready for premiere. This JanPlan however, over 40 students came together to put this show together in under four weeks. Echt worked many hours in the Gordon Center for Creative and Performing Arts, blocking scenes and working with students on songs. Additionally, Gabby Vogel `26, who worked as the choreographer for the show, put together intricate and beautiful choreography performed by five featured dancers. The actors and dancers in the show rehearsed three to four hours a day after their JanPlan classes, and many students stayed after hours creating extravagant set pieces and finding costume pieces for the performance.
Both McGraw and Echt were extremely happy with how the show turned out and were thankful for the opportunity to put on such a grand performance in such little time. The musical was sold out for all three shows, and many students raved about the amazing performance. Students like Penelope Arredondo `29 who watched the performance stated: “I would’ve guessed it’d take a whole semester to put [Little Shop of Horrors] on! This whipped-up show speaks volumes about the Colby community. So much passion, so much teamwork and time, and so much love.”
McGraw and Echt believe, just like the audience, that this musical was an amazing way to showcase the talent, ability, and drive that our Colby community has to put on performances like this. As Colby continues to grow its performing arts with the new Gordon Center, students are optimistic about the future of musical theatrics on campus. Little Shop of Horrors might just be the turning point Colby needed to begin funding even more shows as a department.
~ Catherine Galvez `29
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Four Years of Ukrainian Resistance

For days, I had a feeling that something bad was about to happen. Something was looming over me like a ghost haunting my surroundings, trying to forewarn me of an impending doom. I walked to the basketball courts and circled the main parking lot a few times before returning to the library. Flurries started falling like ashes. My mouth was dry and suddenly pervaded by the taste of blood. When I walked into the library, my friends — Noah and David — who were sitting around the disk-shaped table, looked at me as if they saw the ghost above my head. David turned his screen towards me, with the CBC News headline: Explosions heard across Ukraine as Russia launches military attack.
As Ukraine enters its fourth year of resistance against Russian aggression, it remains trapped in so-called peace negotiations that have produced little but delay. Ever since the exposure of President Trump’s 28-point peace plan, which has been repeatedly cited as the Kremlin’s wish list, Russia has intensified its rampant offense against its neighbor. The initial peace plan demanded that Ukraine abandon territories such as Crimea and the Eastern cities of Donetsk and Luhansk — currently under Russian occupation — reduce its forces, and renounce any aspirations for joining NATO. Other notably conciliatory points include Russia’s reintegration into the G8 and the proposed equal division of electricity output from Ukraine’s Zaporizhzhia Nuclear Power Plant, with 50% allocated to Russia and 50% to Ukraine.
These propositions were nothing short of preposterous to Ukrainians. Yet, Kyiv has shown incredible flexibility to whatever Washington imagines a peace plan with an aggressor state to be. Under continuous pressure from Trump, President Volodymyr Zelenskyy even agreed to hold elections as soon as a ceasefire is reached. More importantly, the Ukrainian president has repeatedly voiced his nation’s willingness to freeze the frontline as a starting point for territorial negotiations.
In the meantime, Russia continues to weaponize winter by striking deep into Ukraine’s energy infrastructure. As the cold descended to -4 degrees Fahrenheit, thousands of civilians were left without electricity and heating. Ukraine, meanwhile, has focused on targeting Russian energy sites, oil refineries, and the arms industry, managing to “destroy or disable” $4 billion worth of Russian air defense in 2025.
Despite an average of 35,000 Russian casualties per month — according to the U.S.-based think tank Center for Strategic and International Studies — Moscow still calls the war a special military operation. The think tank also notes that, in these four years, Russian forces have suffered more losses than any major power in any war since World War II, estimating 1.2 million casualties. On the other hand, approximately 600,000 Ukrainian troops had been killed or wounded or were missing. The UN Human Rights Monitoring Mission in Ukraine reported that Russian violence in Ukraine in 2025 resulted in 2,514 civilians killed and 12,142 injured. In terms of other numbers, Russia still occupies 20 percent of Ukraine; however, the progress they made in 2025 remains grim, as it accounts for no more than one percent according to the Institute for the Study of War. While Ukraine is not losing the war, it has been increasingly difficult to resist the Kremlin’s persistent attacks on a frontline that stretches over 700 miles across Ukraine.
Between 13 and 15 February, political leaders and civil organizations gathered in Germany for the 62nd Munich Security Conference. Four years ago in Munich, U.S. Vice President Harris warned that the world was standing in front of “a decisive moment in history” with U.S. intelligence reporting significant troop movement near Ukraine’s borders. This time, U.S. State Secretary Rubio warned Zelenskyy that the end of the war would likely require “hard” concessions. Is this the familiar American warning we saw four years ago but did not believe, foretelling what is to come? Or is it the U.S. now crafting Ukraine’s destiny by pressuring the victim rather than the aggressor?
I think back on the night from February 23 to 24. Those first moments of realizing this is real, that the fear I grew up with was now marching into Kyiv alongside Russian tanks. It was still too early at home to reach my parents. They would later tell me that, just like me, they had felt something heavy wandering above their heads like a dark, low cloud. I called Vitalii, the only Ukrainian at my boarding school. We slipped into an empty classroom and frantically searched for news from Ukrainian outlets. There was not much to know other than the sirens going off across Ukraine. We went outside, where big chunks of snow began falling over the bay ahead of us. We looked at the gleaming boats docked in Pedder Bay Marina. We didn’t speak much after that, though both of us ended up pursuing degrees in political studies, trying to make sense of what happened and what continues to happen.
~ Cristina Panaguta `26
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Meet Colby’s Ice Fishermen

With foldover chairs, fishing rods, a drill, a sonar machine, and a bucket of live bait, Colby College’s Ice Fishing Club treks to the middle of a large clearing of snow atop a densely frozen lake. They drill a few holes, set up camp, and hope that one of the cold fresh fish beneath the ice gets caught on their line. Sitting above the ice in the middle of the lake, surrounded by pillow-like snow, waiting and watching, it is easy to understand the appeal of this peaceful pastime. One moment, all is still, and the next, your rod’s flag goes up and everyone is launched into a chaotic effort to bring their fish to the surface.
Weekly, on Saturdays, the Ice Fishing Club heads to varying lakes and ponds around Maine to try and catch some fish. The effort is led by club president and founder Jeremy Goldrick `26. Goldrick explains, “I always wanted to go ice fishing, but I kind of lived in a place where there wasn’t a lot of ice fishing going on.” He describes ice fishing as a “classic Maine activity.” Thankfully, Belgrade, ME, home to Salmon Lake, turned out to be the perfect place.
Out on the ice this past Saturday was one of the club’s busiest days. The couple, Jenny Yang `28 and Oliver Chao-Bierhaus `28, decided it was the perfect place to spend their Valentine’s Day. “I was half joking when I proposed it,” explains Chao-Bierhaus. Jenny Yang chimed in: “We’re doing something adventurous!” They both agreed it’s “a great bonding experience.” In the time they spent waiting for a fish, they also built an impressive snowman—another thrilling pastime on the lake.
Goldrick and the majority of ice fishers catch the fish for sport and throw them back afterwards. Occasionally, if a fish is large enough, students will skin and eat the fish.
“We’ve had days where we caught 15 fish in one day,” Goldrick explains. Yuchen Yang `27, the Ice Fishing Club’s vice president, is an avid and experienced fisherman. His favorite type of fishing is deep sea fishing, which he’d do often back home in China. “I’ve really enjoyed fishing my whole life, and I tried ice fishing after I came to Colby,” he says. Similar to Goldrick, Yuchen Yang’s introduction to ice fishing was its popularity in Maine: “I came here and learned that it’s traditional for people to ice fish in Maine.” Yuchen Yang then took initiative, describing how he “just found some guys in the local area and they taught me how to fish! Then, in 2025, I found Jeremy posting different things about the ice fishing club, and then they elected me to be Vice President.”
It’s important to note that during this interview, Yuchen Yang was holding a fish head. He went on to talk about the large fish the club has caught in Salmon lake, many weighing in at over ten pounds.
Hannah Colling `28, a student spending Valentine’s Day ice fishing with her friends, bundled up warm, explained her favorite part of the experience was simply “the ice. The fish. This new experience, and hanging out with my friends.”
Goldrick concluded, saying “I would go to class on Monday, and people would say, ‘What did you do this weekend?’ I’d say ice fishing, and they’d reply, ‘I always wanted to go ice fishing but don’t know how.’” This was what inspired Goldrick to start the club. “It’s a really complex, unique thing […] everybody at Colby should at least try it once, and we’ve got an easy way to do it.”
~ Molly Garvey `28
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A Brief History of Colby’s Art Department

The Colby College Museum of Art, founded in 1959, began as a small set of galleries inside the Bixler Art and Music Center with 2,800 square feet of space. James M. Carpenter, an art history professor in the College’s Art Department, served as the Museum’s first director. Early gifts from Maine collectors and artists built a collection focused on American art. Since then, the Museum has expanded across the College’s campus and into downtown Waterville.
Much of the Museum’s early funding came from Friends of Art, founded in 1959 to expand the Museum’s outreach. The advisory council included Jere Abbott, former founding associate director of New York’s Museum of Modern Art (MOMA). His endowment provided the College with its largest acquisitions fund. The fund supported the 1963 exhibition, Maine and Its Artists, 1740–1963, which sent 127 paintings to the Museum of Fine Arts in Boston and the Whitney Museum of American Art in New York.
The Museum continued to expand in the 2000s and 2010s with the Alfond-Lunder Family Pavilion opening in 2013. Growth extended into downtown Waterville with the opening of the Paul J. Schupf Art Center in December 2022. The Center welcomed more than 100,000 visitors in its first year and continues to host exhibitions, films, and other media.
The Colby Museum is central to the College’s academic life. Daniel Harkett, chair of the art department, recalls his interest in art history coming from an introductory college course. “I chose, following my curiosity but also somewhat randomly, to take an introduction to Western art in college,” Harkett said. “The first lecture was on Leonardo da Vinci, and I was mesmerized: I felt I could see new things by the end of the class.” Harkett now teaches a version of that course, AR112, at the College.
Harkett emphasizes how the College’s Art Department stands out for its “small classes, faculty that teach a wide range of interesting things, and close relationship with one of the best college art museums in the country.” He added that seeing success in students and “hearing back from alumni about where life takes them is one of the many pleasures of [his] job.” Students echo that sentiment. Emmy Armstrong-Schneider `28 said her “peers [in the art department] have all been very welcoming and intellectually engaging,” all while sharing a passion for the subject.
The College’s dedication to bringing the arts to the forefront of our education is inspiring. For students interested in majoring in art, Harkett declares, “Do it! You won’t regret it. Also, come chat with us. We love our program and would be thrilled to talk to you about it.”
For students who “like to get lost in big museums like the Metropolitan Museum of Art (MET) or the Louvre,” the Colby College Museum of Art would offer a similar sense of discovery. Harkett “hope[s] that both folks who are excited about art and others who have never thought about it before find something there to engage them.”
~ Summer Woo `28
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The Time to Try New Things and Explore Maine — What Colby College Students Did in Maine During JanPlan

While only taking one class during JanPlan, many of the College’s students find themselves with a lot more time on their hands, compared to the typical fall and spring semester schedule. Students have been spotted packing cars to go skiing at various mountains, sledding down Chapel Hill, and ice skating on Johnson Pond. JanPlan on campus offers students the chance to enjoy Maine winters and the snowy weather. That said, JanPlan on campus also offers us the time to get off campus and explore Maine, something that takes a bit more effort in a more demanding credit load. We spoke with a few students to hear what they got up to off-campus in Maine during this JanPlan.
During the second week of JanPlan, Nar Peterson `29 and her friends went about three hours north of Waterville, to Lubec, Maine. One of Peterson’s friends that she went with has a relative with a cabin up there, where they all stayed. While her friend usually visits the cabin in the summer, they all wanted to go during this especially snowy January.
In Lubec they hiked the snow-covered Bold Coast. Peterson remarked on the scenic views. “It was beautiful,” she said. “I’ve never seen stars like that around here, even though I live in Maine … We have friends who have really never seen stars like that anywhere, so that was really cool.” This trip was also Peterson’s first time hiking in the winter: “I think my friends definitely had hiked in the winter, because they’re a bit more sporty than me, but I had not.”
When asked whether she gets off-campus more during a normal semester or during JanPlan, Peterson said, “I definitely did get off-campus more [during JanPlan]. I went to Lubec the first weekend, and then went to Montreal a couple weekends after, and drove to Portland a couple of times … During the semesters, I’m more busy.”
Summer Woo `28 was also on-campus for JanPlan, and tried something new. With the Colby Ice Fishing Club, Woo went to Echo Lake in Mount Vernon, Maine to go nighttime ice fishing. Woo was out fishing from around 2 p.m. to 7 p.m., where she caught trout.
While Woo said she had fun “learning techniques of how to fish and how to ice fish,” that was not the only thing she enjoyed about her trip to Mount Vernon: “I enjoyed the community and the people in the club that made it fun. It made the time go by quickly.”
Like Peterson, Woo remarked how she gets off-campus to explore Maine more in JanPlan than in a typical semester. Woo mentioned that last year she went to Sugarloaf a lot and visited new towns in Maine, and this year she visited new lakes near Waterville.
From skiing, to winter hiking, to ice fishing, JanPlan on campus is a great opportunity to explore Maine and the winter weather, while also being a great time to try new things. Peterson and Woo both had a fun time getting off campus and enjoying winter in Maine, which they both noted is more difficult to do in a normal credit hour semester. Overall, with the extra free time, JanPlan on campus is the perfect time to explore what Maine has to offer and to dabble in new activities.
~ Haley Hegarty `28
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Colby’s Green Commitment

In April 2013, Colby became one of the first colleges in the United States to achieve carbon neutrality. The College has now maintained carbon neutral status longer than any college or university in the country.
According to Maddio LoDico, the College’s director of sustainability, environmentalism and sustainability have “always been very near and dear to Colby’s heart.” Reaching the goal of carbon neutrality “was definitely a labor of love,” LoDico said. Strategies involving the use of renewable energy resources, minimization of waste, and offsetting of emissions have allowed the College to reach and preserve carbon neutrality.
Renewable energy makes up a large portion of the College’s sustainability efforts. Solar panels, geothermal heating and cooling, and a biomass plant are all in use on campus.
The College owns a nine-acre solar farm consisting of 5,300 solar panels about a mile from campus, and there are also solar panels installed atop the Schair-Swenson-Watson Alumni Center that provide electricity for the building. The solar farm produces about 12% of the campus’s electricity needs.
Two buildings on campus, the Schair-Swenson-Watson Alumni Center and the Davis Science Center, are heated and cooled using geothermal technologies. These buildings are the farthest from the College’s central heating system and rely completely on geothermal loop systems for temperature regulation.
Members of the facilities team often refer to the biomass plant as the central heating plant. The plant uses locally-sourced woodchips and puts them through an intricate process of conveyer belts, augers, magnets, and boilers that LoDico describes as “essentially a very complex tea kettle” to provide the College with heat and hot water.
Waste management and minimization also play important roles in the College’s constant working toward sustainability goals. This includes recycling, compost, and water efficiency.
Recycling at the College is single-stream which means that if the item has a recycling symbol on it, it’s accepted in any recycling bin on campus. “We are the ones that get to decide the fate of our waste,” LoDico said, “and whether or not we want to take that extra second” to consider which bin to put it in.
In all of the dining halls, food waste is composted. After students put their plates on the conveyor belts to be washed, the food scraps are scraped into compost bags which are picked up and taken by a company called Agri-Cycle to facilities in Exeter. The anaerobic digestion process that occurs at these facilities releases gas which is used to spin an energy-producing turbine that powers the entire facility, as well as about 2,500 homes in the greater Bangor area.
Reducing water waste has been a consistent effort for decades. In 2008, the College switched to trayless dining, saving about 79,000 gallons of water annually. Water fixtures such as sinks, showerheads, and toilets have all been updated to go above and beyond the energy efficiency standard for water waste reduction.
LoDico has also been working on reviving old initiatives that are no longer in effect. A major endeavor that she and the EcoReps, a student group centered around sustainability projects, have been working on is bringing back the bikeshare program. Another fun initiative that LoDico is resuscitating is the inter-dorm energy saving competition, in which dorms compete for which dorm can expend the least energy within a given time frame.
Students may have noticed the construction occurring on campus, and some may have noted that the College has major plans for much more construction in the coming years. But according to LoDico, “the crazy thing is…our carbon footprint’s still going down as we’re building these new buildings.” As the College continues to invest in new sustainable technologies and efficient building designs, it maintains its longstanding commitment to the environment.
And for members of the Colby community left with questions, ideas, or criticism, the Office of Sustainability embraces open communication. “If anyone’s ever interested in doing some type of project, if they have questions about things,” LoDico said, “I highly encourage them to reach out, because we’re here to talk.”
~ Anna Izquierdo `29
